What? A free plugin (included with every Mac) that can help you create a Deadmau5-style pitching build-up? Yes, it's true and Gary Hiebner shows you where to find it and how to use it.
Richard Lainhart breaks open Logic Pro's ES2 and shows how to recreate one of the synths from the Dizzee Rascal hit, 'Dance Wiv Me' featuring Calvin Harris.
Lots has been written about the radical new version of Final Cut Pro X. So just how does it compare to Adobe's Premiere Pro? David Smith contrasts how both NLEs deal with media capture and management.
While Pro Tools has Beat Detective to help apply groove quantizing to audio parts, Logic has a couple of tricks up its sleeve, too. Mike Watkinson delves into Beat Mapping in Logic Pro.
Final Cut Pro X comes bundled with some useful titles. If you want to roll your own, you can use Motion 5. Save yourself the work and download these FREE Titles for FCP X, created by Iain Anderson!
'The Cloud' has become this years buzz word that everyone wants to write about it. With Apple's iCloud coming soon, Francesco Shiavon explains what it is and why it'll revolutionize everything we do.
There are many ways to process a sound. Splitting the frequency bands so you can apply DSP effects to separate frequencies is one way. Gary Hiebner shows you how it's done.
Pro Tools vs. Logic. Which do you use? In this ultimate slugfest-of-a-DAW match, David Earl and Keith Crusher set out to discover which is the ultimate DAW... by comparing their respective features.
Programming your own synth sounds in Logic's ES2 doesn't have to be scary! Using the presets under 'Tutorial Settings' can help speed up the process. It can also be very fun. Read on to learn more.
Part 2...There's more to titling than meets the eye in Final Cut Pro X. In the 2nd of this two-part Hub tutorial, Richard Lainhart runs step-by-step through the process of creating titles in FCP X.
There's more to titling than meets the eye in Final Cut Pro X. In this two-part Hub tutorial, Richard Lainhart takes you step-by-step through the process of creating titles in FCP X.
Learn how to recreate the Benny Benassi "Cinema" chord stab synth using Logic's ES2. Richard Lainhart gives in-depth explanations for the settings and sceenshots to help you follow along.
Almost every chart-worthy pop song features auto-tune style vocals of sorts. If you are a Logic user you can get in on the fun by using the Pitch Corrector in real time on any audio source. Here's how
There's something wonderfully intuitive & fun about making music with a Step Sequencer. Sign-in to download an Exclusive & Free Step Sequencer (with Randomizer features) built-in Logic's Environment.
Final Cut Pro X has color correction and color grading workflows built-in. No more round-tripping between separate applications. In this tutorial, David Smith turns Summer into Autumn in FCP X.
It's better to be safe than sorry. Especially where your precious data is concerned. Francesco Schiavon explores how to reinstall or restore Mac OS X Lion if something goes wrong on your Mac.
Fixing the timing of recorded audio, especially drums has fast become an essential staple for digital musicians and producers. But how can you mimic Beat Detective in Logic Pro? Is it easier in Logic?
Many Final Cut Pro 7 users are now looking upon FCP X favourably! In the last article of his 3-part series, David Smith shows us how to build rough cuts using FCP X's Clip Connections
Logic contains multiple editors to help you edit your audio and MIDI regions, respectively. And, when editing regions, it's imperative to understand how the link modes alter what the editor displays.
GarageBand is based on the same powerful engine as its larger sibling, Logic Pro. Alongside the powerful features are some peculiarities, such as the differences when trimming MIDI & audio regions...
The jury is still out... but many FCP 7 users are finally looking positively in the direction of FCP X! In Part 2 of 3, David Smith shows us how to construct rough cuts using FCP X's Clip Connections.
