Once they get a handle on how FCP X works, most users agree it's the future of Non-Linear Editing. It is quick & enjoyable to edit video. David Smith shows how easy it is to add & modify transitions.
Backing up your data is possibly the most important step when making music (or anything!) on your Mac. G.W. Childs turns his bad experiences into essential reading for all Logic Pro users.
Mac OS upgrades and updates bring with them excitement for new and useful features. Now that the dust has settled, Mo Volans explores the benefits for all audio users across OS X 10.7.
Editing quicker is the name of the game for most video editors. And using keyboard shortcuts still provides the best solution. David Smith shares his 8 essential finger-flexing FCP X shortcuts.
Drawing complex shapes to create masks in iWork is certainly possible, but not always desirable. Mike Watkinson shows how to import scalable vector graphics into Keynote & Pages to make custom masks.
It's the final part of this 5-article series comparing Final Cut Pro X & Adobe Premiere Pro. David Smith sits back after a hard day's edit to explore the different export options in both NLEs.
If you're familiar with the iOS way of displaying Apps then you'll feel right at home in Lion's Launchpad. Richard Lainhart goes through the basics and shows you some cool tips.
Sound design is one of the most fun pursuits on the planet. And with Logic Pro it's possible to create some truly unheard-of sound effects. Mo stretches, crushes, modulates, and filters his voice
Creating custom effects, titles & transitions for Final Cut Pro X just got a whole lot easier thanks to Motion 5! Iain Anderson shows how to effortlessly roll your own slit tunnel effect for FCP X.
"Video is two-thirds audio", or so the saying goes. Whatever the actual percentage, bad audio can ruin a great film. David Smith takes a tour of audio editing in Final Cut Pro X and Adobe Premiere.
While most headlines focused on the intuitive touch-based controls in GarageBand for iPad, there's a whole lot more that can be done by thinking outside the box. Hollin Jones gets hands-on.
Ever wanted to re-create that fun formant-style Bass sound from Air's seminal "Sexy Boy" track? In this mammoth tutorial, Richard Lainhart digs deep to show you how in Logic or any DAW!
On 5th October 2011, Steve Jobs, co-founder of Apple passed away at the age of 56. To celebrate the life of this amazing visionary we're taking a look at some of his most inspiring quotes.
While Mac OS X is easily accessible for beginners it contains many little tricks that advanced users can take advantage of. Mike Watkinson shares his Mac OS X snapshot shortcuts and Terminal tips.
Getting that big-screen Hollywood film look, like in Transformers 3, is very possible in Final Cut Pro X. David Smith delves into FCP X's Vectorscope and Waveform Editor to great effect.
Much has been said about the radical new version of Final Cut Pro. So how does it compare to Adobe's Premiere Pro? David Smith contrasts how both NLEs deal with effects and filters.
Hidden under its hood, your Mac has powerful accessibility options that are useful for all. In this quick tip, Mike Watkinson communicates his love of the built-in Text to Speech options.
Apple's FCP X ruffled more than a few feathers upon its release by omitting certain 'Pro' features. So what does this new free update (10.0.1) include? Is FCP X ready for prime time?
In the second part of this Hub series, Peter Schwartz removes the shackles of confusion that many Logic users still have regarding Link Modes. Learn how to make the different link modes work for you.
