There's a surprising amount you can do with the numerous free DAWs out there all the way up to producing professional level tracks. Joe Albano highlights the best of the bunch.
Good monitor placement is key to understanding your mixes. Matt Vanacoro explains some of the fundamentals of placement and setup that you need to know.
If you're after a more analog sound for your productions there are some specific types of gear you will want to look at. Joe Albano gives you the inside track...
Matching the sound of your favourite commercial tracks can be easier than you think if you take the right approach to mastering. Matt Hepworth shows you how in this short video.
Logic Pro X and Mainstage share more than a little DNA, and that means that using them together is easier than you might have thought. Here's how to do it in style.
Roland's TR-808 is a stone cold classic in the history - and the present - of music technology. But its story has a few more twists and turns than you might have guessed...
Analog gear never went away, and its popularity is on the rise again. So in a world of digital, why would you turn to the analog domain? Here are 5 good reasons...
Harness the power of Logic Pro's Drummer to really take control of your beats, percussion parts and arrangements. Jay Asher is here to show you how it works.
iZotope's Neutron 3 is one of the most capable mixing tools ever created. Here, Joe Albano guides you through making the most of its intelligent features to get the best possible mix.
Saturation plug-ins can make a mix sound great when placed on the master channel. Olav Basoski shows you which are his favourites - both commercial and free, in this video.
The sound of analog gear is as popular as ever, but integrating it into your DAW setup might seem daunting. Not so, as Joe Albano explains in this handy guide.
The Raspberry Pi 4 boasts some seriously beefed-up hardware, moving it into contention for a place in your music production setup. Here are 5 reasons why you should consider it.
Printing mixes to tape is a process that's still in regular use in studios, for the unique character it can impart to a mix. Here, Joe Albano shows you why it can be a good way to work.