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Take a 24 question quiz to test and certify your knowledge of the tutorial-video course
Logic Pro 503 - Studio Series - Recording Drums.
Get a mark of 80% or higher to pass this quiz!
1
Which of the following is a common kick mic known for its punch and body?
Shure SM57
Shure SM7B
Audix D6
Sennheiser e906
2
Low level signals will be affected the same a high level signals running through a compressor. True or false?
True
False
3
Which type of miking limits the pickup range of the mic on drums?
Off-axis
Close, on-axis
Distant
4
Ribbon microphones are great for the __________ room technique because they are naturally bidirectional.
Blumlein
ORTF
NOS
XY
5
Where is most of the hi-hat heard in most drum mixes?
The room mics
The overhead mics
The snare mic
The hi-hat mic
6
Cutting around __________ helps remove ring, ‘boxy' and ‘woody' tones.
50 Hz
2000 Hz
100 Hz
500 Hz
7
Which mics give the drum kit a sense of depth and 3D space?
Overheads
Close Mics
Room Mics
Snare Side and Kick Out
8
When recording live drums, it's common to blend close mics with distant mics. True or false?
True
False
9
The Sennheiser e604 is helpful as a tom mic when cymbals or other hardware prevents a full-size mic from being used, because the e604...
Requires phantom power
Clips on the rim of the drum
Has a high pass switch
Has a high pick up range
10
Kick In mics are almost always a __________ mic.
Large Diaphragm Dynamic
Large Diaphragm Condenser
Ribbon
Electret
11
Bus Processing allows you to process a group of instruments being summed to an Aux Track. True or false?
False
True
12
The ‘mic the floor' position places a ____________ close to the floor, angled up at the resonant kick head.
Large Diaphragm Condenser
Ribbon
Large Diaphragm Dynamic
Small Diaphragm Condenser
13
Snare bottom mics pick up mostly high end, because they are very close to the snare wires. True or false?
True
False
14
Always angle tom mics to avoid over resonating the microphone. True or false?
False
True
15
Snare side mics are typically:
Large Diaphragm Condensers
Small Diaphragm Condensers
Dynamic Mics
Ribbon Mics
16
Blending the Wet and Dry signal in a compressor applies:
Parallel compression
FET compression
Multiband compression
Opto compression
17
Angling both overheads equidistant at the center of the snare:
Increases phase issues, but centers the snare
Reduces phase issues, but makes the snare off-center
Reduces phase issues, and centers the snare
18
Snare top mics are most useful for picking up softer dynamics, like ghost notes, on snare drum. True or false?
False
True
19
Which of the following overhead techniques has the widest stereo image?
Spaced Pair
ORTF
Glyn Johns Variant
XY
20
The classic Glyn Johns technique uses:
1 overhead, 1 side, 1 kick, 1 snare mic
1 overhead and 1 side mic
12 microphones
2 overheads
21
Which type of filter is helpful for reducing pedal noise on the hi hat?
Low Pass
High Pass
Bandpass
Notch
22
Peak drum levels should typically be set around:
-20 to -30 dBFS
-3 to -9 dBFS
0 to -3 dBFS
-30 to -50 dBFS
23
A _____ attack time can cause the front end attack of a drum to be compressed, resulting in a loss of punch.
Longer
Shorter
24
How should condensers be aimed for bongos and congas?
At the center of the drum, 12 inches away
At the center of the drum, 6 inches away
At the rim, 8-12 inches away
Logic Pro 503
Studio Series - Recording Drums
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