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Take a 13 question quiz to test and certify your knowledge of the tutorial-video course
Final Cut Pro 201 - Multicam Techniques.
Get a mark of 80% or higher to pass this quiz!
1
When matching color between camera angles in the Angle Editor, what is a good first step?
Apply "Balance Color."
Rearrange Angle order so that the least saturated clips are lower than the highest saturated clips.
Color correct each clip individually on its own.
Color grade one clip, then copy/paste that to all other clips, immediately.
2
Is Final Cut's Multicam editing feature limited to only 2 camera angles?
No, Final Cut can support up to 8 angles ("cameras") in a Multicam clip.
No, it can use many more than two angles (up to 64, in fact.)
It is limited to 2 angles because Final Cut Pro can't run more than 2 video streams at once.
3
What is the easiest way to find your Multicam clips in the Browser?
Create a new Smart Collection, rename it, configure it for Multicams only.
Scroll through the list of clips in the Browser in list mode, looking for the Multicam Clip icons.
Type "multicam" into the text search field.
Be sure to give all Multicam clips the same name, type that name into the text search field.
4
In order, what do the outline colors Yellow, Blue, and Green signify when switching Angles in the Angle Viewer?
Video only, audio only, both audio & video.
Both audio & video, video only, audio only
Video only, audio only, neither audio nor video.
Audio-only clips, Video-only clips, active angle.
5
What does the 'Automatic' setting use to sync clips when creating a Multicam clip?
Audio channels.
Timecode.
The start of each clip.
Markers.
6
Is it best to record audio from every camera during a multi-camera shoot?
Yes, audio must be recorded from one single, high-quality microphone to all cameras used.
If the time and date is set on each camera, there is no need for any audio or timecode at all.
No. All video cameras record the same synchronized timecode that Final Cut Pro uses to sync clips.
Absolutely, as long as it is decent quality sound, even from the built-in camera mic.
7
What is the safest and easiest way to cover up jump cuts in a Multicam that's been edited in a timeline?
Use connected clips as cutaways.
Replace edits.
Insert edits.
Overwrite edits.
8
The Angle Editor is the best place to do what?
All of these answers.
Rearrange Angle order.
Add new angles.
Remove large gaps between shots.
9
When would you duplicate the Multicam clip versus duplicating the Timeline?
It doesn't matter, they both provide the same function.
Duplicate the Multicam to make Angle Editor changes; duplicate the Timeline to alter the Timeline edits.
Duplicate the Multicam to make timeline editing changes; duplicate the Timeline to make Angle Editor changes.
You can't duplicate a Multicam Clip at all in Final Cut Pro.
10
What method is most efficient when copying a color correction or other effect from one clip, and pasting it to the same camera angle in a timeline?
By using the Angle Editor for that single angle.
It isn't possible to perform this operation in Final Cut Pro.
Manually scroll through the Timeline and Command-click to select them all.
Use the Timeline Index's "Angle" column to select all clips of the same angle.
11
What is the default edit tool for a Multicam clip in the timeline, and why?
Slip, because sometimes Multicams are usually not in sync anyway.
Ripple, because that's how Apple designed it.
Roll, it is the only edit type that will not make clips become out of sync.
Ripple, because it allows you to get rid of content you don't want easily.
12
Where is it best to configure the audio channels of individual clips within a Multicam clip?
In the Angle Editor.
In the Timeline.
You can't configure audio channels in a Multicam clip.
In the Browser.
13
When creating a Multicam clip, FCP can use any of these for syncing.
Timecode only
Audio, Timecode, Content Created, Start of first clip, First marker on the Angle
Timecode, Sync Markers on clips
Audio, Timecode, Sync Markers on clips
Final Cut Pro 201
Multicam Techniques
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