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Take a 18 question quiz to test and certify your knowledge of the tutorial-video course
AudioPedia 105 - Recording and Monitoring.
Get a mark of 80% or higher to pass this quiz!
1
Impedance is measured in...
volts
Ohms
dB
2
Near-field monitoring...
requires locally-manufactured monitor speakers
places the monitors about three feet from the sweet spot
refers to headphones that sit on but don't surround the ears
3
Overdubbing refers to...
adding effects onto an already-recorded track
blending multiple tracks in the mixing stage
recording new tracks while monitoring already-recorded tracks
4
For recording, the best type of headphones are...
earbuds
closed-back headphones
open-back headphones
5
The "monitoring environment" refers to...
the thermostat that controls the studio's AC
the ambient temperature in the control room
the sound of the monitor speakers and the effect of the room itself
6
Instrument-level inputs are specifically meant for...
electric guitars & basses
electronic keyboards
dynamic instrument microphones
7
Studio monitor speakers must have...
a neutral, flat frequency response
three-way designs
at minimun 15" woofers
8
VU meters show...
transient impacts
average levels
peak levels only
9
When an overload occurs during recording...
the audio is automatically silenced momentarily
the recording is automatically aborted
the tops & bottoms of the audio waves are clipped
10
A cue mix is...
a mix made for final approval from the executive producer
a mix tape of several different songs
a musician's headphone mix for recording & tracking
11
Balanced cables offer the benefit of...
using fewer wires than unbalanced cables
rejecting hum & interference
using smaller connectors
12
A DI Box is an alternative to...
a headphone distribution box
a chorus or flanger pedal
a dedicated Instrument input on an interface
13
Professional balanced audio connections use...
MIDI DIN cables
RCA or TS cables
XLR or TRS cables
14
Talkback allows for communication between...
the control room & the live room
the engineer & producer
two different studios both working on the same project
15
In near field monitoring, the speakers should be about how far from the listener for them to help overcome other room reflections?
6 feet
5 feet
10 feet
3 feet
16
Tie lines...
provide for talkback from the control room to the live room
supply signals to the musicans' heaphones
All answers are correct
connect mics in the live room to the console or interface in the control room
17
Ear-level monitoring...
sets the loudness of the monitors' tweeters at their highest level
sets the height of the monitors' tweeters more or less at ear level
refers to headphones that seal around the ears
18
In a studio control room, the "Sweet Spot"...
the place in the room with the strongest bass
the spot in the room with the best sightlines to the live room
is the primary listening position
AudioPedia 105
Recording and Monitoring
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